In their return at-sea visit, they would be actively working alongside a Navy crew and observing a training exercise. The goal was to shoot basic plates (for CGI compositing later) and experiment with the camera/workflow technology. The first pier-side visit was helpful to scope out the space and potential problems. Bellino and his team used the Nokia OZO and Kodak PIXPRO. The shoot was accomplished in two visits. So the Left of Creative team set to work capturing the 360 video. The VR/360 technology and storytelling approach was the right fit for their unique Navy application. “By using the VR/360 format, we are able to transport audiences to experience both the vastness of an open flight deck, or the confined spaces within the cockpit of a F/A-18 Super” according to Bellino.īy allowing viewers to take control of the 360 space, the experience would naturally be more realistic and compelling. In all likelihood, most people will never get an opportunity to ride aboard such an awe-inspiring vessel. Navy’s symbol of power could best be captured by an immersive approach and presented to audiences in a more compelling way. They chose VR/360 video aboard the USS Carl Vinson because they felt the U.S. The Left of Creative team has been supporting the Navy as a boutique creative agency for three years.

This year, the event took place April 3 -5 at the Gaylord Convention Center in National Harbor, Maryland. Hosted by the Navy League, the event is the largest maritime exposition in the United States. defense industrial base, private-sector US companies and key military decision makers.

The Sea-Air-Space Exposition was launched in 1965 to bring together the U.S.

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